IN Fiorucci Made Me Hardcore, British artist Mark Leckey produced what one critic called “the finest portrayal of British nightlife ever captured”.
Jonathan Jones added that “(Leckey) haunts the secret parts of modern culture, where memory and emotion linger”.
What he did was to capture the feeling of dancing in a night club in the 70s, 80s and 90s.
Says Leckey of his 1999 film:
“It took two years to create, but it was made of 30 years of repressed desire.”
He’d add when receiving the Turner Prize in 2008:
“I kind of hate the relationship the press in Britain has towards art. I hate the way it’s all Damien Hirst and Tracey Emin and Banksy. They expect spectacle and shock. Art is not like that. The art world I know is not like that; it’s a whole other world.”
As he says: “All that is solid melts into air.”
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