Hans Poelzig , Großes Schauspielhaus, Berlin (1919) ab - from our story 'Hans Poelzig’s Sinister Neo-Gothic Expressionism – 1908-1935'

Hans Poelzig , Großes Schauspielhaus, Berlin (1919)

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Spivs and the Post-War British Gangster Films

In January 1948 the Observer film critic, C.A. Lejeune, made no attempt to hide her disapproving tone when reviewing the Boulting Brothers’ Brighton Rock: “Graham Greene’s savage story about a couple of race-course gangs and their fancy ways with a razor is one of the most brutal things I have seen on the ...

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Photographer Updates Postcards Of 1960s Resorts Into Their Abandoned Ruins

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The Anarchy Tour of 1976

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The Sixteen Pleasures: The Vatican’s 16th Century Sex Guide

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The 125 Greatest Songs With A Woman’s Name In The Title

Naming a song after a woman has, over the years, become the biggest music cliché ever; however, there’s been a ton of great ones, and is thereby prime fodder for music lists. So, here's the rules: (1) The song has to have a female's name in the title, but not ...

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A Field Guide to the Hammer House of Horror Women

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Hans Poelzig , Großes Schauspielhaus, Berlin (1919) ab - from our story 'Hans Poelzig’s Sinister Neo-Gothic Expressionism – 1908-1935'

THE FLASHBAK SHOP

Uncommon Christmas Cards now in the shop

Prints – shop our unique art

Editor’s picks

Collect our postcards

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