Marilyn Monroe in the Nevada desert for the film The Misfits, 1960 by Eve Arnold:Magnum Photos
As part of London PhotoMonth, Wonderland celebrates The Joy of Analogue: Portraits from 1955-1995. In testament to the skill of analogue photography, the show incudes polaroids and platinum and silver gelatin prints by the likes of Mary Ellen Mark, Sandra Lousada, Brian Griffin, David Bailey, Herb Ritts, John Claridge, Joel-Peter Witkin and Eve Arnold.
In a time dominated by digital technology, an old-fashioned roll of film invites attention and care. It can be slow, frustrating and fiddly. You have to wait and to see what you captured. And when you rediscover the truth, and if you don’t get it right, those imperfections became part of the story. The process becomes part of the picture. No instant digital tints and filters – these pictures run on brainpower and are rooted in reality. The analogue photograph doesn’t just show you something, it represents it. A great analogue picture is reward for skill and patience. And here are some fabulous examples of the art form.
Brigitte Bardot on the set of Les Petroleuses, Spain, 1971
Ram Prakash Singh with his elephant Shyama, Great Golden Circus, Ahmedabad, India, 1990
David Byrne, New York,1982
Chet Baker, 1986
French painter Françoise Gilot, Rossetti Studios, Chelsea, 1967
Lynn Chadwick for Tatler, 1961
Celia Hammond, 1962
Wilf Mannion, Middlesbrough and England football player, 1995
Carol and Pete Jolly, Jolly’s Mini Circus, Fishguard, 1974
Jasper, Ladbroke Grove, 1977
First communion, Brazil, 1981
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