Eugene Von Bruenchenhein (1910–1983) was an American self-taught artist from Milwaukee, Wisconsin. He left a vast archive of poetry, apocalyptic paintings, paintbrushes made with his wife’s hair, drawings, notebooks, audio tapes and hundreds of sculptures made from chicken bones, ceramic and cast cement. But what really catches the eye are his photographs of his wife, Marie.
In 1939 Eugene met Evelyn Kalka (1920 – 1989). After they married in 1943 Evelyn came to be known as ‘Marie’, a name she took on in honour of one of Eugene’s favourite aunts. The couple moved into his father’s former storefront at 514 South 94th Place. It was here that Eugene and Marie established an “all-encompassing” world of their own – a world where stages of exotic theatres were mounted.
Eugene set up a darkroom in their bathroom. And he started to photograph Marie at home. Using leftover materials as backdrops and props, Von Bruenchenhein created transformative stages for Marie to pose on. She dressed up in exotic costumes, smiled like a pin-up and struck starlet-like poses.E ugene made crowns and elaborate jewellery for Marie out of clay which he dug himself
And Eugene took her thousands of photographs of his favourite muse and beloved wife.
It was only after Eugene’s death on January 24, 1983, that his friend Daniel Nycz got the attention of Russell Bowman, the director of the Milwaukee Art Museum. In September 1983, the John Michael Kohler Arts Center in Sheboygan, Wisconsin, began cataloguing the entire collection.
Via: Christian berst
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