The Girl In The Cosmo Painting – A 1950s New York City Love Story

Nancy Tompkins transports us to New York City on the 1950s in the company of her mother's debut in Cosmopolitan magazine

In 1955, twenty-four-year-old Jane Funkhouser, an editor at Guide for the Bride magazine, met thirty-one -year-old John Tompkins, a reporter for The Wall Street Journal, at a party on Gay Street in Greenwich Village, New York City. They married and had two daughters together. Here, one of those children, Nancy Tompkins, takes us back to hang out with her parents in 1950s’ New York City.

Before we nose around Jane and John’s apartment on West 10th Street and imagine living in that time and place, a quick word about the story and how we love to hear from our readers. It began with a painting Nancy posted on Facebook by American magazine illustrator Jon Whitcomb (1906 – 1988). It shows Jane in her wedding gown. Whitcomb, who in 1948 had joined with Norman Rockwell, Ben Stahl, Stevan Dohanos, Al Parker and others to found the Famous Artists’ School, an art correspondence school in Westport, Connecticut, wrote from 1948 to 1963 a monthly column for Cosmopolitan magazine on glamour. His portrait of Nancy was used to illustrate his Cosmopolitan story of November 1956, ‘Brides Are Big Business’.

Cosmopolitan magazine 1950s

Cosmopolitan magazine 1950s

 

And now, it’s over to Nancy:

My parents were transplants from the Midwest: Jane had followed a man named Stanley to New York because he had told her that she was much too sophisticated to be living in Des Moines, Iowa, only to have her heart broken when she arrived in town and discovered he already had another girlfriend. John wanted to be a writer, and writers tended to live in New York. The host of the party on Gay Street took him aside, pointed at Jane and said, “Go talk to that one… she’s really special.” John was charmed by Jane’s  beauty and humor, and she by his intellectual curiosity and quirkiness, and each of them by the coincidence that they had both attended Morgan Park High School in Chicago (although seven years apart.)

During one date early in their relationship they saw the movie version of, Guys and Dolls at the Capitol Theater in Times Square. Both especially liked the lyrics to the title song, which lists all the ways one could tell that a man had fallen in love with a woman:

                   When you spot a John waiting out in the rain

                   Chances are he’s insane

                   As only a John

                   Could be for a Jane

New York love story 1950s

The cover of their copy of the “Guys and Dolls” album (the Broadway version and not the film version, don’t know why…)

NYC groom

A photo of my father in profile around the time they met

They married about six months after they met, not unusual for that era. The wedding took place in Chicago, and the honeymoon in Bermuda. After the wedding a friend of Jane’s who worked at Cosmopolitan Magazine asked her if she would like to be profiled in an article about the cost of getting married. She was interviewed and painted by Jon Whitcomb, a well-known illustrator who was known for his glamorous portraits and for his use of gouache (a thick, watercolor-like paint) instead of oil paint. He gave her the portrait as a gift.

 

The wedding announcement, I think from my grandparent's local Chicago newspaper ,where my father's name is misspelled and my mother's job not updated

The wedding announcement, I think from my grandparent’s local Chicago newspaper ,where my father’s name is misspelled and my mother’s job not updated

Cosmopolitan model

Jane and John – “I had forgotten that the article actually mentions the photo of someone fussing over the back of her dress as she kissed my father…I’ve always loved that one.”

New York wedding 1950s

Jane tosses the bouquet

 

New York City bridesmaids

Jane, John and their bridesmaids

The bride

My mom Jane

The couple moved into a small apartment on the top floor of an 1820s’ townhouse on West Tenth Street in Greenwich Village, which they had spent months fixing up before they were married: John building bookcases and furniture and Jane sewing curtains and making rugs. Both of them loved Victorian antiques, which were very unfashionable at the time (1950s’ America was in love with the colonial era).

The Village had junk shops and antique stores where they had their pick of the things they loved: an 1870s’ German Regulator clock, a brass toast fork with a swan on its handle, an ornate birdcage, and a lithograph of Sarah Bernhardt by Sir William Nicholson. Sometimes they found old furniture that was being thrown out and they would fix it and refinish it (an exercise better known in New York as, “midnight shopping”.) Someone Jane worked with once again approached her about having an article written about the cost of decorating the apartment. The article appeared in a magazine called Bride and Home in the winter of 1957.

A photo of a little painting of the newlyweds in their top floor apartment, painted by some college friend of my mother’s and given as a wedding present

New York City apartment 1950s

Mom looking at a bird in the Victorian birdcage

New York City apartment 1950s

The living room on Tenth Street

New York City apartment 1950s

The kitchen on Tenth Street

The two page article from "Bride and Home" about their apartment (my mother mentioned that the editors who came to write the article were really scary fancy uptown ladies and she thought they would turn around and leave when they saw that there was a hand laundry downstairs and that they had to walk up two flights of stair

The two page article from “Bride and Home” about their apartment (my mother mentioned that the editors who came to write the article were really scary fancy uptown ladies and she thought they would turn around and leave when they saw that there was a hand laundry downstairs and that they had to walk up two flights of stairs.

 

The two page article from "Bride and Home" about their apartment (my mother mentioned that the editors who came to write the article were really scary fancy uptown ladies and she thought they would turn around and leave when they saw that there was a hand laundry downstairs and that they had to walk up two flights of stair

“Bride and Home”

And now — about the wonderful portrait that Nancy, the daughter of Jane the Cosmo bride rightfully treasures:

 

Cosmopolitan magazine 1950s

Nancy and the portrait of her mother, Jane

 

If anyone’s interested: I’m a painter and elementary school art teacher living in Jersey City, New Jersey and working in Greenwich Village in New York. My social media:  https://www.instagram.com/tompkinspaint/   and https://www.instagram.com/tompkie348/

Thanks, Nancy. If you want to share your story – and please do – you can reach us via this page: Contribute.

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